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swee'pea99

Squire
No-one's asked what kind of band/music. Can't help feeling it makes quite a difference. You'd want a quite different 'look' depending on whether they're youf/hi-energy or jazzy/soulful. I'd personally endorse not trying anything new - it's possible to get get photos when you're on edge and nervous, but I wouldn't recommend it. One query - might you be able to lay your hands on a second camera for the evening? Could be a way to 'hedge' - go ambient light with one, flash with t'other.
 
Rhythm Thief said:
It's the SB800. I think I might get a flash transmitter and reciever (£22 off ebay), that way I can mount the flash on my tripod and put it where I want it.

With the D200 and SB800 you don't need a transmitter to use the flash wirelessly. Use Nikon CLS (Creative Lighting System) by setting the D200 flash to commander mode, then mount the SB800 in wirless mode on a tripod.

Try it. Your kit is already wireless ready.

http://www.nikonians.org/nikon/d200_and_cls/d200_and_cls_3.html
 

yashicamat

New Member
swee said:
This is what I was thinking. The last thing that will look good for a rock band is a soft diffused portraiture style lighting setup. I'd go for a wide angle lens and a low down angle for photos of everyone, then use an 80mm lens or thereabouts to get some individual shots so as to single out each person.

I'd also suggest to just rig up some bright lamps (like spotlights) to shine onto the band as they play, then just use the provided light rather than add a flashgun into the affair. I think the latter can ruin the atmosphere a bit . . .

Just my 2p's worth.:tongue:
 

Crankarm

Guru
Location
Nr Cambridge
Check the colour balance setting on your camera. You may have to switch it from Auto to whatever lighting you have on the day to get a true representation of colours.

There's always Photoshop if you don't like what you've taken.

Shoot in RAW and JPEG if possible or if not just RAW. Take a few spare memory cards and batteries.
 

Brains

Legendary Member
Location
Greenwich
I did a lot of bands recording in studios photography back in the days of real film.

Thinks to keep in mind are:

They are there to record, not to have photos taken, so don't get in the way, and you can't make noise (even the shutter can be out if they are doing vocals)

You can't just wander about as there is a sound lock between the sound desk and the studio. so you are either in for the take or out for the take.

The lighting is either crap, shite or dim, and not much you can do about it and chances are the producer or sound engineer will not want you setting up lamps .

Studios are often lit by strip lights which give photos an odd pink or blue colour

The walls & celings of sudios are usually dark/black, often covered in carpet or foam, so have zero reflective qualities. so bouncing the flash may not work. It may be a good idea to get the band to dress in white

The walls of the studio can often be quite 'busy' with wires, sockets, set lists, graffiti, posters etc. therefore it can be best if the band is plain, so no hawaiian shirts.

You can get some good pics from the mixing desk to the band in the studio and vice versa, but you have to factor in the sheet of glass in between. It may be worth taking along some glass cleaner and doing the window before everyone is in position

Make sure you know the manager and the tour manager/head roadie they are the people that are more important than the band. The sound engineer is top dog, get in his way and he will throw you out.

Studios are often very small spaces, so the technique is to imagine trying to photograph a Christmas party of 10 people crowded around a table in a very small dining room, with people trying to serve food whilst the kids throw a tantrum. Oh yes, and you are probably shooting from outside the dining room window or through the serving hatch from the kitchen which is equally busy.
 
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OP
Rhythm Thief

Rhythm Thief

Legendary Member
Location
Ross on Wye
Cheers Brains. I have a bit of a head start as I'm in a band of my own, so I know my way around a studio. I don't think the songwriter who's asked me to do this has thought through the issue of the mikes picking up the noise of my shutter, but I'll point it out to her and see what she says. I'm going to get myself one of those reflecting umbrellas and a mounting bracket for flash bouncing, but otherwise I'll stick with the kit I've already got. The glass cleaner tip is a good one, I hadn't thought of that.
 
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