In a sense, we are all bridges. Notice how the perspective in the picture is skewed, the depth of field is incorrect. Now, I know what you're thinking, it's clear that the artist explores the relationship between Pre-raphaelite tenets and life as performance. With influences as diverse as Camus and Roy Lichtenstein, new insights are crafted from both traditional and modern dialogues. What starts out as yearning soon becomes finessed into a manifesto of lust, leaving only a sense of dread and the possibility of a new synthesis. As intermittent forms become transformed through boundaried and critical practice, the viewer is left with a testament to the darkness of our future.
Or the intern at the Bristol Post slap-dashed a rubbish photoshop and buggered off down the pub.
if that is possible.....
