I've stayed up late to watch 'The Savages' and there's a ticking in my head that says that once again, indeed, as ever, PSH has turned in a blinder.
American actors tend to the good-looking. Once in a while a Lloyd Bridges or a Peter Stormare (yeah, I know he's Swedish) pops up, but, mostly, they're easy on the eye. Hoffman's never been good looking - not even close. He's as near to a suet pudding as a human being can get, although he's blessed with a wonderful smokey voice. That voice is the basis of a way with words that few actors can match, but, and here's the rub, he's never settled on one way of using it. From the excitable loon in 'Twister' to the whiny loser in 'Boogie Nights' to the rounded but fractured authority in 'The Savages' his career is a wonderful butterfly/bee affair, in which he quietly, effortlessly makes the film he's in better. Even the ghastly 'The Boat that Rocked' becomes bearable (well, almost bearable) when he's on the screen.
Anyroadup - here's the trailer for The Savages. Recommended
View: http://www.youtube.com/watch?v=iu9G9OxHMhI
American actors tend to the good-looking. Once in a while a Lloyd Bridges or a Peter Stormare (yeah, I know he's Swedish) pops up, but, mostly, they're easy on the eye. Hoffman's never been good looking - not even close. He's as near to a suet pudding as a human being can get, although he's blessed with a wonderful smokey voice. That voice is the basis of a way with words that few actors can match, but, and here's the rub, he's never settled on one way of using it. From the excitable loon in 'Twister' to the whiny loser in 'Boogie Nights' to the rounded but fractured authority in 'The Savages' his career is a wonderful butterfly/bee affair, in which he quietly, effortlessly makes the film he's in better. Even the ghastly 'The Boat that Rocked' becomes bearable (well, almost bearable) when he's on the screen.
Anyroadup - here's the trailer for The Savages. Recommended
View: http://www.youtube.com/watch?v=iu9G9OxHMhI