For road chase ...
Duel. And shows you what Spielberg is/was capable of, despite what he made when he had a ton of money
(Oh, and Bullett is brilliant, too)
Spielberg's ability to turn everything to sentimental mush
I've walked out of the cinema twice in my life. (not counting leaving Branagh's Frankenstein, realising that if I was watching it on telly, I'd excuse myself and make a cuppa. It's a stupid movie. Enjoyed it much more after a cuppa's length break.)
But the two movies I've walked out on are so different from each other. "Always", a Spielbergian piece of schlock that finally drove me over the edge with Audrey Hepburn giving Richard Dreyfus a celestial haircut with blunt scissors. I couldn't stay in the cinema after that. Tragically, this was her last film role. The other I couldn't stay in the cinema with was for the opposite reason, just brilliant film making, but so dark. Audition, by Takashi Miike. I thought it was a romance but .... I thought it was a rom com, which magnified the darkness.