I think FM has a firm hold on it currently but it's always up for grabs. You'll need to up your game thoughOh I don't know, I admire a bit of Daliesque slickness. I recently spent a long time admiring his 'Autumnal Cannibalism' at the Tate in Liverpool - the unexpected little slick of almost fluorescent yellow on the knife blade makes it glimmer like a real piece of metal attached to the canvas. Like Tanning's, Dali's pure skill is sometimes undervalued these days as too calculating, while roughness and approximation is valued for being fashionable. I also love Tanning's sewn forms though - reclaiming woman art.
Now, where's the 'Pretentious? Moi?' smiley ...
Oh, infinitely. The second Viennese school is very under-rated, don't you think?Preferring Webern to Brahms might give you a start.
Oh, infinitely. The second Viennese school is very under-rated, don't you think?
Preferring Webern to Brahms might give you a start.
Ha ha ha Rich - you do make me laugh!
If you think PMD is roughouse, try my nephew's composition stuff. He is Composer in Residence at Manchester Camerata and has all sorts of stuff going on. Whereas his thoughts are engaging, I find the music resulting difficult to appreciate.
Watch this as an example. I can picture you and I in one of the dance roles, bien sur. Further info here, plugging the man unashamedly!http://www.brahimkerkour.com/
Oi! Webern's Passacaglia
View: http://www.youtube.com/watch?v=fN9qJ4oJdvc
is one of my all time faves. Note, if you will, the 'arch' structure.
Oi! Webern's Passacaglia
View: http://www.youtube.com/watch?v=fN9qJ4oJdvc
is one of my all time faves. Note, if you will, the 'arch' structure.
Now, if it's pretentious you want, there's always Stockhausen's Helicopter Quartet. I'll bring the CD to Her Nibs' birthday bash and we can all jive to the rhythm of the rotors