Most underated British music Artist(s)

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Flying_Monkey

Recyclist
Location
Odawa
hhm, they've always struck me as a band designed by music journalists for the sole delectation of music journalists. They are by some margin the worst band I've ever seen live - Sarah Cracknell simply can't sing. I guess I've just never "got it".

I've never seen them live and I wouldn't want to. They've always struck me as a band who make perfectly crafted pop records. I like them for that reason and the fact they make me happy without any need to apologise for this. Same as XTC. And I've also never been one for the idea that 'X can't sing' (or can't play guitar etc.) is a meaningful criticism in pop music. If it was opera we were talking about, sure. But vocals in pop music are about far more than just singing - or are not even about singing at all. There are plenty of distinctive vocalists in pop who simply can't sing, and many perfectly competant singers who are terrible pop vocalists.
 

redcard

Guru
Location
Paisley
In recent years, The Holloways.

Britpop era, Suede.

And Shed Seven definitely belong in the underrated category as well.
 

Fnaar

Smutmaster General
Location
Thumberland
Richard Hawley used to be underrated, but is now in dange rof being overrated. I love some of his earlier stuff, but I just can't get on with his latest 'psychedelic' 'Standing at the Sky's Edge"
 

Flying_Monkey

Recyclist
Location
Odawa
Britpop era, Suede.

And Shed Seven definitely belong in the underrated category as well.

Suede were one of these bands loved by critics and the congnoscenti but not the wider public. Shed Seven are not underrated IMHO. They are journeymen, they just kept going and, like The Bluetones, kept plugging away at the same second-rate Britpop vein for years even when everyone else had given it up.
 
Richard Hawley used to be underrated, but is now in dange rof being overrated. I love some of his earlier stuff, but I just can't get on with his latest 'psychedelic' 'Standing at the Sky's Edge"
I think I agree with this, Coles Corner is just beautiful, can't really get into sky's edge at all.

Good call on British sea power too, they used to play the little indie circuit that I got very into back around 2000 an awful lot and I never really rated them then, but they've really grown on me now.

Arab strap should have been massive, I really love them:

View: http://youtu.be/g9Krvl7AEAs
 
God, shed seven were bloody awful.

I wouldn't say suede were underrated, they were excessively fawned over back in the day (first album is a corker though, and was a real change of tone at the time)
 

redcard

Guru
Location
Paisley
God, shed seven were bloody awful.

I wouldn't say suede were underrated, they were excessively fawned over back in the day (first album is a corker though, and was a real change of tone at the time)

I mean underrated in that they played second fiddle to the Oasis, Blur and (occasionally) Pulp trifecta.
 

RedRider

Pulling through
Good shouts upthread from the usual suspects.
I think Michael Head and his various combos were underated. An insular Liverpool phenomena.


Namedrop alert...
I knew Bob Stanley a little from fanzine circles. Met him a couple of times in Manchester clubs at 60s garage/psych nights
 

redcard

Guru
Location
Paisley
Suede were one of these bands loved by critics and the congnoscenti but not the wider public. Shed Seven are not underrated IMHO. They are journeymen, they just kept going and, like The Bluetones, kept plugging away at the same second-rate Britpop vein for years even when everyone else had given it up.

Possibly they weren't earnest enough to earn the underrated moniker.
 
U

User169

Guest
I've never seen them live and I wouldn't want to. They've always struck me as a band who make perfectly crafted pop records. I like them for that reason and the fact they make me happy without any need to apologise for this. Same as XTC. And I've also never been one for the idea that 'X can't sing' (or can't play guitar etc.) is a meaningful criticism in pop music. If it was opera we were talking about, sure. But vocals in pop music are about far more than just singing - or are not even about singing at all. There are plenty of distinctive vocalists in pop who simply can't sing, and many perfectly competant singers who are terrible pop vocalists.

Dont worry FM, I wasn't expecting an apology! Just trying to liven the thread up - these cafe lists get a bit boring if théy're just a series of youtube links.

I mostly agree with you on the "singing"/"playing" point, but if you want to make "perfectly crafted pop", that context would imply some sort of orthodox intonation. I suppose Cracknell intends to sound somewhat artless, but when I saw her she was so out of tune it was painful. In any event, the live issue is a bit of red herring - I don't really enjoy them on record either.

Doubtless, The Boy Gedge would leave some similarly unenvigorated. But at least on this point, I can confidently say that I am right and they're wrong.
 
Thanks to you lot I'm having a vinyl revival afternoon (a plus side of joblessness), not that velvet underground's VU album fits in this category. I did play Ride's first EP just now though, bloody marvellous, but the drums seemed really muffled compared to how I remember it.
 
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