Bill,
Many apologies for not responding to this sooner - I have not visited the forum for a while and hence missed this useful note.
I am obviously really pleased my frame is one of yours! What you say about it being a touring frame is interesting - it had never occurred to me before that the gaps would be wider to accommodate mudguards, although I have often wondered why it had eyes. Was it the practice to remove the eyes, or were racing frames generally made without them? I take your point about the saddle position and bar angle - I have never ridden it quite like this, but just popped them back on for the photos having started to loosen everything for dismantling. I must admit though that I have always had to push the seat forward, but should probably get a shorter stem - the frame has always been a shade too big for me, but once I saw it in Twiddle's I wasn't going to let that stop me having it. And thanks for confirming the seat pillar size. I should be able to fix the deformation.
Returning to the original subject of the thread, there is an issue with transfers on which I would welcome your insight. How many Soens logos were there? I have only seen those sold by Hilary Lloyd plus the ones on my frame (copies of which I still haven't managed to source, so the bike is staying as it is for now). I was wondering if there was any pattern to the transfers. For example, if someone bought a frame from you was there a "touring frame" logo, a "race frame" log and a "track frame" logo, or is this just daft wishful thinking on my part?
Finally, as far as I know, the transfers on my frame are the only Soens ones I have seen with the flag and olympic rings. Would this have been a "special" from around the time of the 1960 or 1964 Olympic Games, or some other event, or is that nonsense too?
Many thanks for your contributions on the site - it has been really interesting so far.
Very best wishes,
Rob Elliott